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An "I Want" song (also called an "I Wish" song [1] ) is a popular type of song featured in musical theatre, and has become a particularly popular term through its use to describe a series of songs featured in Disney Renaissance films that had the main character singing about how they are unsatisfied with their current life, and what they are searching for. The term "'I Want' song" is believed to have been coined by Lehman Engel. [2]
Composer Stephen Schwartz explains the concept in regard to the 1995 Disney film Pocahontas :
It's not really that there is a "formula" for these things, but I have learned over the years that pretty much any successful musical you can name has an "I Want" song for its main character within the first fifteen or so minutes of the show. I can think of exceptions, but frankly, I feel that the lack of such a moment is a weakness in most of those cases. "Just Around the Riverbend" may not be a classic "I want" song, because the character doesn't really want anything that strongly until she meets John Smith, but it sets up her sense that she has another destiny to pursue than the one laid out for her by her father and society and her desire to go after it. The third number, "Mine Mine Mine", was basically supposed to introduce the antagonist, Ratcliffe, and what he wanted, so that the central dramatic conflict could be established. [2]
John Kenrick, a college professor of musical history and the author of the encyclopedia Musicals 101, explains:
The Main "I Want" Song comes early in the first act, with one or more of the main characters singing about the key motivating desire that will propel everyone (including the audience) through the remainder of the show. It is often followed by a reprise. [2] In many cases, these songs include the words "I want", "I wish" or "I've got to". Classic examples include The Little Mermaid 's "Part of Your World", My Fair Lady 's "Wouldn't It Be Loverly", Carnival 's "Mira", The Sound of Music 's "I Have Confidence", Wicked 's "The Wizard and I", The Book of Mormon 's "You and Me (But Mostly Me)", Hamilton 's "My Shot" and "Wait for It", The Producers 's "King of Broadway" and Dear Evan Hansen 's "Waving Through a Window." [3] Stephen Sondheim and James Lapine's 1986 Broadway musical Into the Woods begins and ends with a character saying "I wish". For earlier examples, see "Over the Rainbow" from The Wizard of Oz (1939) or "It Might as Well Be Spring" from State Fair (1945).
Bob Fosse said there were only three types of show songs from a director's point of view: "I Am" songs – a song that explains a character/situation, "I Want" songs – desire and motivations, and "New songs" – songs that do not fit the other categories. [3]
Schwartz also notes "I Want" songs are usually those which have a life beyond the production they were featured in:
I don't think it's surprising that "I Want" songs tend to be among the most recorded – they are often somewhat more liftable than other songs in the show (that is, they make sense outside the framework of the show) and they give the singer something to act. In classic terms, the job of an "I Want" song is not to move the action forward, but to set up the desire of the leading character that will drive the action for the rest of the show.
Schwartz has also written "I Want" songs for live action musicals, including "Corner of the Sky" for Pippin and "The Wizard and I" for Wicked . [4]
The Walt Disney Company has a long tradition of "I Want" songs in Disney animated musicals going back to the Disney Renaissance era due to Alan Menken's work with the company. [5] [6] The term has retroactively been used to describe older "I Want" songs. In a top ten list of Disney, The Daily Dot ranked Robin Hood 's "Not in Nottingham" as the best "I Want" song. The site also noted that these could be sung by antagonists, ranking The Hunchback of Notre Dame 's "Hellfire" at number 5. [7] FanPop listed "Part of Your World" from The Little Mermaid as the best song of this type. [8] [ better source needed ] The WFPL article Great 'I Want' Moments in Musicals listed "Belle", "Somewhere That's Green" from Little Shop of Horrors , "Wouldn't It Be Loverly", "Lonely Room", "Corner of the Sky" from Pippin , and "Part of Your World". [9] Examples of 21st century "I Want" songs include "Fabulous" and "I Want It All" from High School Musical . [10]
Stephen Lawrence Schwartz is an American musical theatre composer and lyricist. In a career spanning over five decades, Schwartz has written hit musicals such as Godspell (1971), Pippin (1972), and Wicked (2003). He has contributed lyrics to a number of successful films, including Pocahontas (1995), The Hunchback of Notre Dame (1996), The Prince of Egypt, Enchanted (2007), and Disenchanted (2022).
Alan Irwin Menken is an American composer and conductor, best known for his scores and songs for films produced by Walt Disney Animation Studios. Menken's contributions to The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), and Pocahontas (1995) won him two Academy Awards for each film. He also composed the scores and songs for Little Shop of Horrors (1986), Newsies (1992), The Hunchback of Notre Dame (1996), Hercules (1997), Home on the Range (2004), Enchanted (2007), Tangled (2010), Disenchanted (2022), and Spellbound (2024), among others. His accolades include winning eight Academy Awards – becoming the second most prolific Oscar winner in the music categories after Alfred Newman – a Tony Award, eleven Grammy Awards, seven Golden Globe Awards, and a Daytime Emmy Award. Menken is one of twenty-one people to have won an Emmy, a Grammy, an Oscar and a Tony.
Wicked is a musical with music and lyrics by Stephen Schwartz and a book by Winnie Holzman. It is a loose adaptation of the 1995 Gregory Maguire novel Wicked: The Life and Times of the Wicked Witch of the West, which in turn is based on L. Frank Baum's 1900 novel The Wonderful Wizard of Oz and its 1939 film adaptation. The musical is told from the perspective of two witches, Elphaba and Galinda, before and after Dorothy's arrival in Oz. The story explores the complex friendship between Elphaba and Galinda. Their relationship is tested by their contrasting personalities, conflicting viewpoints, shared love interest, reactions to the corrupt rule of the Wizard of Oz, and ultimately, Elphaba's tragic fall.
A show tune is a song originally written as part of the score of a work of musical theatre or musical film, especially if the piece in question has become a standard, more or less detached in most people's minds from the original context.
"Part of Your World" is a song written by lyricist Howard Ashman and composer Alan Menken for Disney's animated feature film The Little Mermaid (1989). Performed by American actress and singer Jodi Benson in the titular role as Ariel, a mermaid princess, "Part of Your World" is a power ballad in which the main character expresses her strong desire to become human; its lyrics use placeholder names in lieu of several human-related terms that would be unfamiliar to a mermaid. The film's theme song is later reprised by Ariel after she rescues Eric, a human prince with whom she has fallen in love, from drowning.
Lin-Manuel Miranda is an American songwriter, actor, singer, filmmaker, rapper, and librettist. He created the Broadway musicals In the Heights (2005) and Hamilton (2015), and the soundtracks for the animated films Moana (2016), Vivo, and Encanto. He has received numerous accolades including a Pulitzer Prize, three Tony Awards, two Laurence Olivier Awards, two Primetime Emmy Awards, and five Grammy Awards, along with nominations for two Academy Awards. He received the Kennedy Center Honors in 2018.
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Christopher Neal Jackson is an American actor and singer. He began his career in 1995 starring in the Off-Broadway musical Time and the Wind by composer Galt MacDermot at the age of 20. He made his Broadway debut in 1997 as an ensemble member in the original Broadway cast of Disney's The Lion King. He remained with the show for several years, ultimately taking over the role of Simba. He went on to perform leading roles in several more Broadway musicals and plays, including After Midnight, Bronx Bombers, Holler If Ya Hear Me, and Memphis. He drew critical acclaim in several projects with Lin-Manuel Miranda: originating the roles of Benny in In the Heights and George Washington in the smash hit Hamilton. For the latter role he was nominated for a Tony Award for Best Featured Actor in a Musical. He also collaborated with Miranda on the Disney film Moana in which he provides the singing voice of Chief Tui. His other film work includes secondary roles in After.Life and Tracers.
"The Room Where It Happens" is the fifth song from Act 2 of the musical Hamilton, based on the life of Alexander Hamilton, which premiered on Broadway in 2015. The musical relates the life of Alexander Hamilton and his relationships with his family and Aaron Burr. The book, music, and lyrics of the musical, including this song, were composed by Lin-Manuel Miranda. The song describes the Compromise of 1790 from Burr's perspective.
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Moana: Original Motion Picture Soundtrack is the soundtrack to the 2016 Disney animated film of the same name. The soundtrack was released by Walt Disney Records on November 19, 2016. It features songs written by Lin-Manuel Miranda, Mark Mancina and Opetaia Foa'i, with lyrics in English, Samoan, Tokelauan and Tuvaluan. The two-disc deluxe edition includes the score, which was composed by Mancina, as well as demos, outtakes and instrumental karaoke tracks. The record also produced two singles.
"How Far I'll Go" and its reprise are two musical numbers from Disney's 2016 animated musical feature film Moana. It was written by Lin-Manuel Miranda, with additional music and co-produced by Mark Mancina on its reprise. The song was performed in the film by American actress and singer Auliʻi Cravalho in her role as Moana. It was released along with the album on November 18, 2016. Canadian singer Alessia Cara also recorded the song for the Moana soundtrack. The song was nominated for Best Original Song at the 89th Academy Awards and Best Original Song at the 74th Golden Globe Awards and won the Grammy Award for Best Song Written for Visual Media at the 60th Annual Grammy Awards.
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